Though the surface of the statue was pockmarked, scratched and pitted–the limbs didn't seem severed or mangled, so much as ground down, worn away as wood or stone is worn away by water or weather or time. For that reason the statue seemed to occupy two time frames, one brief, one prolonged. Both the violent instant, the impact of a blinding light, an obliterating moment of force–but also the slow duration over which the supposedly permanent is steadily, patiently effaced.