It’s nineteen fifty-eight. It’s been traveling twenty-two years to get here. And now it’s here. And I’m here. And I’ve got my hand over it. And it’s either heads or tails. And you have to say. Call it.
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“I am not an iconographer”
Why did my teacher, who regularly takes commissions for iconography and teaches iconography workshops, who spent five years in an Orthodox monastery training as an iconographer, draw back from saying the words, “I am an iconographer”?
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Drawing or Color? The Poussinistes versus the Rubénistes
Every age has had arguments about art and beauty that are deeply entangled in questions of philosophy, society and even morality. One of the most heated took place in France at in the late 17th century.
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Blessed Are the Losers
For the most part, the Coen brothers don't seem particularly interested in the stories of those who come in first place. They appear to be more preoccupied by those who come in last. They don't even seem to be as inspired by a good old-fashioned "underdog" parable as most people are. (If the Coens told the story of David and Goliath, the little shepherd boy would definitely not have been the victor.) How many other filmmakers can you think of that consistently make their movies about losers rather than winners?
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Featured Artist: Joshua Cunningham
We are here, just for a time. Barns are here, just for a time. Cities are here, just for a time. The practice of painting on location deepens this understanding. It isn’t long before I find myself defending my work against mercurial skies and the constant march of the sun. Shadows move and colors change, leaving me to paint from memory.
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2019 New York Encounter
Are you hungry for an extended engagement with reality, for something that will awaken you more fully to the human condition? Consider joining us at the New York Encounter, February 15th through the 17th.
