Since 2008, Tatiana Nikolova-Houston has dedicated her life to re-creating and re-interpreting Byzantine and South Slavic iconography and manuscript illuminations as a ministry and mission to Western audiences. Sacred Illuminations grew out of her fascination with Slavic manuscripts, unique in their eclectic decorations inspired by Byzantine arts, Persian carpets, Bulgarian folk arts, and even Celtic designs. The illuminations reflect the joy of spirituality and provide a glimpse of the Heavenly reality, of the radiance of the Holy Spirit within everything in God’s Creation and the spiritual symbolism of Holy Scripture.
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Ad Astra
Ultimately, Roy’s willingness to play the game and pursue the mission, comes from this recognition: that the personal has become inextricably entwined with the immense. There is no other way to be human than to engage with this confoundedly big thing.
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Featured Artist: Trung Pham
How do we embrace our adversity, tragedy, trauma and find strength and courage during the time of challenges? How to gather strength during the challenging times also depends on the aesthetic vision, that is, how to find beauty in the woundedness.
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Simon’s Ravine
"And then after sitting for a while, a marvelous thing happened. I got up, and walked into my painting. I walked over the bridge that I had drawn, and up the stairs that disappeared into the background of my composition."
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Featured Artist: Vincent Wil Hawley
We don’t know when our current situation will end, but we know what is occurring in close proximity to us now.
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The Whole Wide World is Watchin’
Dare we not live out our true vocations as Christians just like Jesus did? Dare we not point to God’s victory over death by crying “Glory?” Were we not born for this very moment in the year 2020 A.D.? Were we not born for COVID-19?
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Singing the Death of the Warrior
As mankind elevates the world’s beauty through his senses, so his soul is elevated. He is transformed from a mere consumer of the world, to its attentive lover.
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Drawing or Color, Part IV: The Philosophers Weigh In
Over the past several months, Veritas Journal has featured several quick takes on the long-running debate between line and color in the history of western art. Imagine for a moment if we could transpose this debate into another key ... What might modern philosophers have to say on the question?
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2020 New York Encounter: Crossing the Divide
Are you hungry for an extended engagement with reality, for something that will awaken you more fully to the human condition? Consider joining us at the New York Encounter, February 15th through the 17th.
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Drawing or Color, Part III: The Neoclassicists vs. The Romantics
Ingres considered bright colors “anti-historic” and warned his students against them. “Better to fall into gray,” he said, “than into bright colors.” Color, as Delacroix saw it, was essential to painting. “Remember,” he urged in his journal, “the enemy of all painting is gray.”
