• Jules Kaye on a Child’s Experience of the World

    Reynolds hasn't witnessed the beauty that I have; he's stood before lovely insights, oblivious to them. The sole gestalt that inspires him is the one I ignored: that of the planetary society, of the biosphere. I am a lover of beauty, he of humanity. Each feels that the other has ignored great opportunities.

  • Ted Chiang on The Lover of Beauty vs. The Lover of Humanity

    Reynolds hasn't witnessed the beauty that I have; he's stood before lovely insights, oblivious to them. The sole gestalt that inspires him is the one I ignored: that of the planetary society, of the biosphere. I am a lover of beauty, he of humanity. Each feels that the other has ignored great opportunities.

  • Benedict XVI on Classical and Christian Art

    The distant origins of this institution date back to a work we might well describe as "profane" — the magnificent sculptural group of the Laocoon — but which, in fact, acquires its fullest and most authentic light in the Vatican context. It is the light of the human creature shaped by God, of freedom in the drama of his redemption that extends between Heaven and earth, flesh and spirit. It is the light of a beauty that shines out from within the work of art and leads the mind to open itself to the sublime, where the Creator encounters the creature made in his image and likeness.

  • Lewis on Charity and Fear

    For many of us the great obstacle to charity lies not in our luxurious living or desire for more money, but in our fear — fear of insecurity. This must often be recognized as a temptation. Sometimes our pride also hinders our charity; we are tempted to spend more than we ought on the showy forms of generosity (tipping, hospitality) and less than we ought on those who really need our help.

  • David Foster Wallace on Fiction for Dark Times

    Look man, we’d probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what’s human and magical that still live and glow despite the times’ darkness.