To flourish creatively, mother artists need moments of rest, contemplation, community, and freedom, supported within their process.
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Passages Part I: Paris
More than anything, the way people moved around—without a definite direction, and yet somehow methodically, checking a piece, hesitating, deciding to continue on—reminded me of the way I walk around my apartment when I’m not sure where I’ve put my keys. Only, people in museums usually aren’t looking for something specific, like keys. They don’t know what exactly it is they’re looking for. They’re hoping they’ll know it when they see it.
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Smoke as Motif
Was there, in all this tension, in the clenched, interwoven fingers of Cezanne’s motif, an expectation of inevitable release? An anticipation of relief? Like the relief that comes with clarity, even a terrible clarity. As I left, that impassive painting looked to me like the face of an aging dam.
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Happy Public Domain Day, 2024
In 1998, Congress passed the Sonny Bono Copyright Term Extension Act (derisively known as the "Mickey Mouse Protection Act"). In a nutshell, the legislation extended the copyright on most published works from 75 years to 95 years. Immediately after it was passed, copyrights that had been set to expire in 1999 were extended for an additional twenty years. So followed two decades of public domain silence. This is the year that in many people’s minds, Disney gets its due.
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Two Moons
The other thing that’s difficult about this way of encountering art, is that it takes trust. You are asked to trust the painting before you understand it, before you can see what it holds for you. You are asked to turn over your attention and your imagination to someone else, not knowing how they may chose to use them. To look at art in this way is vulnerable.
