As we move from the waiting season of Advent to the arrival of Christmas, Veritas Journal is pleased to present “The Twelve Movies of Christmas.”
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The Loneliness of Icons
We all need good days with icons—moments where the meaning of life is abundant and overflowing, when the sticky leaves of spring break our hearts with significance.
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Featured Artist: Christopher Santer
Feeling intensely uprooted at a young age made me realize that to keep a coherent sense of self I was going to have to take root in something other than a cultural or linguistic identity. This is of course no finished project but something I am continually engaged in, including in my creative practice. I think primarily in terms of creating worlds.
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The Shame and the Glory
Rejoice that you have a body. It may be prone to illness, easily tempted, heavy and awkward in social situations, and marked with wounds and pain. But so is our Lord's. And we will yet rise with him, naked to reveal every scar, our shame now remade into glory.
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Featured Artist: Andrew Grum Carr
⃛ 2020 taught me to slow down and take on the responsibility of understanding the world around me.
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Easter, Again: Learning to See the Obvious
We got to the place and stared at it. I looked down at the plaque, and it said: “Construction (Crucifixion).” Ah-ha. "Leo," I said, trying to sound natural and not too teacherly, "this is a picture of where Jesus died on the cross." He reached his arms up for me to hold him, wanting to be close to me, and also higher up to see. Once near, he pointed matter-of-factly at the circle and said, "Ok, mama. Then is that the stone that was rolled away?"
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Featured Artist: Megan Moore
⃛ 2020 taught me to slow down and take on the responsibility of understanding the world around me.
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The Flowers of St. Francis (Book and Film Recommendation)
In the midst of the great crisis of truth that followed the World Wars, Rossellini’s films suggest that there is no more true character than someone playing himself.
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Featured Artist: Leah Damgaard-Hansen
Feeling intensely uprooted at a young age made me realize that to keep a coherent sense of self I was going to have to take root in something other than a cultural or linguistic identity. This is of course no finished project but something I am continually engaged in, including in my creative practice. I think primarily in terms of creating worlds.
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Not Many Wise, Not Many Noble
Inside the ‘museum’ was a pile of artifacts — four-hundred-year-old Bibles, sacred heart pictures, a reproduction of the shroud of Turin, old motorcycles, more dinosaurs, and a neon sign that read: “Jesus Saves.”
