It’s incredible to imagine a painter covering the entire surface of this canvas with their thought and attention. And it’s incredible to see photos of this painter, Joaquin Sorolla, working on location, in the open air, with brushes that look like javelins, on canvases that resemble billboards. I don’t know how much of Before the Bullfight was painted outside, but the painting has both the fresh spontaneity of a plein air work, and the considered compositional architecture of a well-planned studio piece. Sorolla is somehow able to have it both ways.
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Self-Portrait After an Election
This process of testing myself in front of different pieces wasn’t just a matter of finding an image to fit my mood—the way you might scroll through a streaming service at the end of the day, hoping to find something that will scratch your particular itch. It was a process of clarification, of clarifying what I really thought and felt. In testing my own frame of mind against the framing of these artworks, I was distinguishing between what I was really experiencing and what I thought I should be experiencing, or saw others experiencing around me.
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Bored at the Museum
When you enter the room where it’s hanging, even before you fully register what the painting represents, the pleasure is already there, just as you turn the corner and see it on the wall.
