Over the past several months, Veritas Journal has featured several quick takes on the long-running debate between line and color in the history of western art. Imagine for a moment if we could transpose this debate into another key ... What might modern philosophers have to say on the question?
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Drawing or Color, Part III: The Neoclassicists vs. The Romantics
Ingres considered bright colors “anti-historic” and warned his students against them. “Better to fall into gray,” he said, “than into bright colors.” Color, as Delacroix saw it, was essential to painting. “Remember,” he urged in his journal, “the enemy of all painting is gray.”
